Recomponer: tema de la sexta sesión de la Cátedra “Balance Unbalance” en Arte y Clima

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Conferencia
Recomponer: tema de la sexta sesión de la Cátedra “Balance Unbalance” en Arte y Clima
Fecha del evento: 
Viernes, Abril 22, 2022 - 11:00
Fecha fin del evento: 
Viernes, Abril 22, 2022 - 13:00
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Recomponer es el tema de esta sesión, sobre el que presentarán y dialogarán tres artistas/investigadores: de Australia, Estados Unidos y el Reino Unido. Recomponer, en el sentido de reconstruir, reparar, rehacer, recrear, arreglar, resolver, mejorar, ayudar a cambiar para mejor.
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Entrada libre

Recompose is the focus of this session, with three artists/researchers, from Australia, the United States, and the United Kingdom. Recompose, in the sense of rebuilding, repairing, re-doing, reconstructing, re-creating, fixing, solving, improving, helping to change for the better.

Recomponer es el tema de esta sesión, sobre el que presentarán y dialogarán tres artistas/investigadores: de Australia, Estados Unidos y el Reino Unido. Recomponer, en el sentido de reconstruir, reparar, rehacer, recrear, arreglar, resolver, mejorar, ayudar a cambiar para mejor.

Invitados

    • Suzanne Thorpe

      Artist-scholar Suzanne Thorpe researches audible culture with a focus on electronic music, sound art and listening practices. With her research she interweaves traditional and creative research methods to reveal music-making as critical frameworks that animate gender and ecological concerns. In her creative work Thorpe couples listening with traditions of acoustic ecology, land art, and improvisation to craft immersive musicking events and site-specific sound installations. She is currently a Mellon Teaching Fellow in the Department of Music and member of the Society of Fellows at Columbia University. She has presented her work and scholarship internationally in a variety of forms, including performance venues, exhibitions and journals. In addition, she has been granted several residencies and awards for her research, such as the Frog Peak Collective Award for innovative research in technology, as well as grants from Harvestworks Digital Media Foundation, New Music USA, the MAP Fund and the Recording Industry Association of America. Thorpe is also a co-founder of TECHNE, a nonprofit arts-education organization dedicated to dismantling social and cultural barriers in technical learning environments. 

    • Linda Carroli

      Is a researcher, planner, consultant and writer. She is currently working at QUT in Brisbane. Her involvements in industry and higher education include diverse research, planning, consultation, editing and writing projects for academic, creative industries, urban development, economic development and social sustainability initiatives. Her research interests are sustainable transitions, regionalism, infrastructure and the foundational economy. 

      As an internationally published cultural journalist and award-winning writer, she received several Federal and State government grants. She has worked across print, broadcast and digital media and was formally editor of the art, science and technology magazine, fineArt Forum. With an extensive cultural journalism and writing publishing record, she publishes in a range of media and contexts both nationally and internationally. She is the recipient of several arts grants and a Centenary Medal for long and distinguished service in the arts.

    • Rob MacKay

      Rob Mackay is an award-winning composer, sound artist and performer. Recent projects have moved towards a cross-disciplinary approach, including geology, soundscape ecology, theatre, audiovisual installation work, and human-computer interaction. His work has been performed in 18 countries (including several performances on BBC Radio 3, BBC Radio 1 and Radio France), and a number of his pieces have received international awards (Bourges (1997 and 2001), EAR (1999), La Muse en Circuit (2007)). He has held composer residencies at Slovak Radio (Bratislava), La Muse en Circuit (Paris), the Tyrone Guthrie Arts Centre (Ireland), Habitación del Ruido (Mexico City), and CMMAS (Morelia). 

      He has collaborated with a number of poets, including Martin Daws (Young People’s Poet Laureate for Wales, 2013 – 2015) and John Wedgwood Clarke (for the Arts Council funded Dictionary of Stone and Sea Swim with Lara Goodband). This was a natural progression from working on a number of projects based on the theme of geology, including a collaboration with percussionist Dame Evelyn Glennie on the Natural England funded Ruskin Rocks project, led by a team of scientists and musicians at the University of Leeds who created two stone instruments (lithophones). He has also created a Jurassic soundscape for Scarborough’s Rotunda museum which is currently installed. 

      Rob has been a reviewer for numerous international conferences, including ICMC (International Computer Music Conference), NIME (New Instruments for Musical Expression), DHRN (Digital Humanities Research Network), Balance/UnBalance, and journals (Organised Sound, Cambridge University Press). He is also on the editorial board for Interference, a Journal of Audio Cultures, and is currently guest editor for Soundscape and Ideas Sónicas/Sonic Ideas. 

      He has played, written and produced in a number of bands including the Welsh Hip-Hop collective Tystion with whom he collaborated alongside John Cale on the film A Beautiful Mistake (Film 4), as well as recording three John Peel sessions on BBC Radio 1 and supporting PJ Harvey. The band have a chapter devoted to them in Sarah Hill’s book ‘Blerwytirhwng?’ The Place of Welsh Pop Music (Ashgate 2007). 

      Rob has done session work for Super Furry Animals producer Gorwel Owen, songwriter Euros Childs, and Hip-Hop producer Kista. He is currently enjoying playing in the Welsh Afro-tropical collective Drymbago, having supported Quantic and Tony Allen, and recently receiving play by Mr Scruff. 

      Rob is currently a Senior Lecturer in Composition at Newcastle University. Previously, he was a Reader in Music at the University of Hull where he directed HEARO (Hull Electroacoustic Resonance Orchestra). He is also the Chair of UKISC (UK and Ireland Soundscape Community), an affiliate of the WFAE (World Forum for Acoustic Ecology).

Reconocimiento personería jurídica: Resolución 2613 del 14 de agosto de 1959 Minjusticia.

Institución de Educación Superior sujeta a inspección y vigilancia por el Ministerio de Educación Nacional.